Two remarkable young talents – Luis Toro Araya, whose conducting ‘seemed more like… a wise old master than that of a 27-year-old’ (Cellesche Zeitung) and Seán Boylan, ‘already the perfect young baritone’ (The Arts Desk) – serve up a lunchtime treat of love in all its contrary forms.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán makes his role debut as Schaunard in Opera North’s production of La bohème.
Seán returns to the role Guglielmo in Opera North’s production of Così fan tutte at the Nevill Holt Festival.
Seán returns to the role Guglielmo in Opera North’s production of Così fan tutte at the Nevill Holt Festival.
Seán returns to the role Guglielmo in Opera North’s production of Così fan tutte at the Nevill Holt Festival.
The Irish premiere of a Good Friday Passion for our times: James MacMillan’s St. John Passion, hailed by Rowan Williams as ‘a landmark for contemporary music’.
Echoes of Latin motets, Gregorian chant and Bach chorales can be heard alongside Scottish folk accents in a striking, modern re-telling with Christ portrayed by Seán Boylan, and the Evangelist byChamber Choir Ireland, with the National Symphony Chorus giving voice to other roles in this dramatic story.
Seán joins Irish National Opera for Johann Strauss’ Die Fledermaus in the role of Frank.
Seán joins Irish National Opera for Johann Strauss’ Die Fledermaus in the role of Frank.
Seán joins Irish National Opera for Johann Strauss’ Die Fledermaus in the role of Frank.
Seán joins Irish National Opera for Johann Strauss’ Die Fledermaus in the role of Frank.
Seán joins Irish National Opera for Johann Strauss’ Die Fledermaus in the role of Frank.
Seán joins Irish National Opera for Johann Strauss’ Die Fledermaus in the role of Frank.
Seán joins Irish National Opera for Johann Strauss’ Die Fledermaus in the role of Frank.
Seán joins Irish National Opera for Johann Strauss’ Die Fledermaus in the role of Frank.
Seán joins Irish National Opera for Johann Strauss’ Die Fledermaus in the role of Frank.
Seán joins Irish National Opera for Johann Strauss’ Die Fledermaus in the role of Frank.
Seán joins Irish National Opera for Johann Strauss’ Die Fledermaus in the role of Frank.
Seán joins Irish National Opera for Verdi’s Rigoletto playing the role of Marullo.
Seán joins Irish National Opera for Verdi’s Rigoletto playing the role of Marullo.
Seán joins Irish National Opera for Verdi’s Rigoletto playing the role of Marullo.
Seán joins Irish National Opera for Verdi’s Rigoletto playing the role of Marullo.
Seán returns to the Abbey Theatre, the National Theatre of Ireland, as a member of the Grania company. Grania was written by Lady Gregory, one of the founders of the theatre, in 1912, and this is its first production at the Abbey.
Seán returns to the Abbey Theatre, the National Theatre of Ireland, as a member of the Grania company. Grania was written by Lady Gregory, one of the founders of the theatre, in 1912, and this is its first production at the Abbey.
Seán returns to the Abbey Theatre, the National Theatre of Ireland, as a member of the Grania company. Grania was written by Lady Gregory, one of the founders of the theatre, in 1912, and this is its first production at the Abbey.
Seán returns to the Abbey Theatre, the National Theatre of Ireland, as a member of the Grania company. Grania was written by Lady Gregory, one of the founders of the theatre, in 1912, and this is its first production at the Abbey.
Seán returns to the Abbey Theatre, the National Theatre of Ireland, as a member of the Grania company. Grania was written by Lady Gregory, one of the founders of the theatre, in 1912, and this is its first production at the Abbey.
Seán returns to the Abbey Theatre, the National Theatre of Ireland, as a member of the Grania company. Grania was written by Lady Gregory, one of the founders of the theatre, in 1912, and this is its first production at the Abbey.
Seán returns to the Abbey Theatre, the National Theatre of Ireland, as a member of the Grania company. Grania was written by Lady Gregory, one of the founders of the theatre, in 1912, and this is its first production at the Abbey.
Seán joins Irish National Opera in the role of Alcandro in Vivaldi’s L’Olimpiade.
Seán returns to the Abbey Theatre, the National Theatre of Ireland, as a member of the Grania company. Grania was written by Lady Gregory, one of the founders of the theatre, in 1912, and this is its first production at the Abbey.
Seán returns to the Abbey Theatre, the National Theatre of Ireland, as a member of the Grania company. Grania was written by Lady Gregory, one of the founders of the theatre, in 1912, and this is its first production at the Abbey.
Seán returns to the Abbey Theatre, the National Theatre of Ireland, as a member of the Grania company. Grania was written by Lady Gregory, one of the founders of the theatre, in 1912, and this is its first production at the Abbey.
