Mozart: Così fan tutte (Guglielmo) / Garsington Opera (2022)

“Seán Boylan’s roguish Guglielmo sings with a twinkle in his eye.”
— Neil Fisher, The Times
“… a dashing Guglielmo.”
— Amanda Holloway, The Stage
“Seán Boylan, whose swaggering Guglielmo rang out compellingly.”
— David Truslove, Opera Today
“… a silkily Italianate Guglielmo.”
— Peter Quantrill, The Arts Desk

Britten: The Rape of Lucretia (Tarquinius) / Kammerakademie Potsdam (2021)

“Seán Boylan is an attractive Prince Tarquinius with menacing gestures…”
— Frederik Hanssen, Der Tagesspiegel
“Seán Boylan doesn’t show the prince as a creep, rather as a spoiled boy who has always got what he wanted. His baritone can flatter, challenge, and then be cold and aloof again.”
— Harald Asal, RBB 24
“Boylan serves up a powerful baritone, in an explosive combination with Britten’s music which is a percussive ride that continues to grow throughout.”
— Andreas Berger, Braunschweiger Zeitung

Mozart: Don Giovanni (Title Role) / Nevill Holt Opera (2021)

“All the roles are performed with distinction. Seán Boylan’s Giovanni presents an ambiguous combination of villainy and heroism.”
— George Hall, The Stage
“Seán Boylan is a far more foppish and likeable Don Giovanni than in many other portrayals of the character, where the brand of charm can feel more overtly sinister, but proves no less effective in the title role for that.”
— Sam Smith, Music OMH
“Seán Boylan made a highly charming and plausible rogue, constantly changing his look and dress just as the character changes depending on who he is dealing with. This wasn’t a nasty Don Giovanni, his sexual aura and personal charms were to the fore as was his complete amorality. Boylan had a whale of a time in the way he constantly changed, yet was the same underneath, enjoying the chaos that he creates within the highly structured society that he belongs in.”
— Robert Hugill, Planet Hugill
“Encapsulating the young energy and playfulness of the production was the impressive singer Seán Boylan whose Don Giovanni is not the mature, frankly revolting rapist/seducer but more a young chap having a whale of a time chasing anything in a skirt. He has a beautiful voice and, as stated with the other singers, I look forward to hearing it without electronic boosting.”
— Mike Smith, Opera Scene
“… a well-chosen cast, all of whom delivered the vocal and dramatic goods: Seán Boylan’s darkly ambivalent Giovanni…”
— George Hall, Opera Now
“Seán Boylan’s energetic and musically characterful account of the title role.”
— Mark Valencia, Opera Magazine.

Britten: A Midsummer Night’s Dream / Guildhall School of Music & Drama (2019)

“Seán Boylan, who is already the perfect young baritone…”
— David Nice, The Arts Desk

In Recital / St. Columba’s Church, Ennis (2014)

“… vividly evoked. Not only has he a fine baritone voice, but also an engaging, polished platform presence.”
— Cathy Desmond, The Irish Examiner